So the green screen cut of the movie was locked on Wednesday, which meant delivering my computer to James and Robert Dastoli where they incorporated it into the vaunted Dastoli Digital production pipeline. Given the massive render times required (the shots in the library for instance are taking up to two weeks to render per shot), the extra firepower is a must.
Other crucial items need to be filmed as well. All of the "Dream Being" footage must be shot, as well the the practical elements of the "Flash Gordon" sky and a bunch of students for the classroom scenes that didn't show up on the day.
Stop motion animation will have be done for the tentacle elements in the beginning and end of the film as well.
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